Theatre Requirements
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THEATRE AUDITION REQUIREMENTS THEATRE (T) The LACHSA Theatre Department is an intensive four year program and is recommended for entry at the ninth grade, first year level. However, consideration will be given to incoming tenth grade students who can demonstrate exceptional potential and previous first year training in another arts high school, comparable institution or theatre training non-profit agency. If accepted, a 10th grader would begin his/her studies at the second level of training. Evaluation Criteria
Part 1 All applicants must sign in at the main office and proceed to the theatre warm up room at least 30 minutes before the audition. All warm-ups must be completed prior to entering the audition room. No time will be allowed for warm-ups during the audition. Part 2 All applicants will be asked to perform two (2) memorized monologues. All students must memorize the Shakespeare monologue that is included in this packet. Female applicants must perform Juliet’s monologue and male applicants must perform Sebastian’s monologue (see included monologues). The contemporary monologue is your choice but must be written after 1920. The monologue must be no longer than 1½ minutes in length. Characters chosen should be close to the student in age. The monologue must come from a published play. The applicant should read the entire play before performing the monologue. Do not play characters of the opposite sex or use regional or foreign dialects. No props, costumes, or makeup are permitted. Wear something comfortable that you can move in, preferably solid back; and appropriate footwear, no flip-flops. Avoid jewelry. Applicants will be asked to
Part 3 To demonstrate the applicant’s ability to sight read dramatic text, only incoming 10th grade students will be asked to do a cold reading or participate in some voice & speech work. No home preparation is required for this part of the audition. NO INCOMING GRADE 11 STUDENTS WILL BE ACCEPTED FOR ENROLLMENT IN THEATRE. Part 4 Following the two monologue presentations all applicants will engage in a short interview with the adjudicators. The Theatre Department audition is split into two parts. The audition for all theatre applicants is on January 30 and 31, 2010 On that day, 60% of the incoming fall class will be selected based on the highest numerical scores. Students who are not accepted from the first audition will be invited to a one-day audition preparation workshop. The CALL BACK audition for the Theatre Department will be held on the same day as our GENERAL AUDTIONS, February 21 and 22, 2010. APPLICATION DEADLINE FOR ALL DEPARTMENTS INCLUDING THEATRE IS JANUARY 22, 2010 at 5PM The following list of plays offer good monologue choices for young actors: You are free to select a monologue from another play, but choose a character that is close to your age. GIRLS
BOYS
SHAKESPEARE MONOLOGUES GIRLS Romeo and Juliet, Act II, Scene 5, lines 1-17 Juliet: The clock struck nine when I did send the nurse; In half an hour she promised to return. Perchance she cannot meet him: that's not so. O, she is lame! love's heralds should be thoughts, Which ten times faster glide than the sun's beams, Driving back shadows over louring hills: Therefore do nimble-pinion'd doves draw love, And therefore hath the wind-swift Cupid wings. Now is the sun upon the highmost hill Of this day's journey, and from nine till twelve Is three long hours, yet she is not come. Had she affections and warm youthful blood, She would be as swift in motion as a ball; My words would bandy her to my sweet love, And his to me: But old folks, many feign as they were dead; Unwieldy, slow, heavy and pale as lead. BOYS Twelfth Night, Act IV, Scene 3, lines 1-21 Sebastian: This is the air; that is the glorious sun; This pearl she gave me, I do feel't and see't; And though 'tis wonder that enwraps me thus, Yet 'tis not madness. Where's Antonio, then? I could not find him at the Elephant: Yet there he was; and there I found this credit, That he did range the town to seek me out. His counsel now might do me golden service; For though my soul disputes well with my sense, That this may be some error, but no madness, Yet doth this accident and flood of fortune So far exceed all instance, all discourse, That I am ready to distrust mine eyes And wrangle with my reason that persuades me To any other trust but that I am mad Or else the lady's mad; yet, if 'twere so, She could not sway her house, command her followers, Take and give back affairs and their dispatch With such a smooth, discreet and stable bearing As I perceive she does: there's something in't That is deceivable. |
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